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Monday, November 21, 2016

Cops Are Watching Your Facebook Feed | The Nation














 Last week, the Brennan Center for Justice released a map showing that 151 police departments, cities, and counties across the country have collectively spent millions of dollars on software enabling them to monitor activity on social media—a number that almost certainly understates both the number of jurisdictions and the amounts expended. These tools allow agencies to mine social media posts for individuals’ location and other data; Facebook, Twitter, and Instagram even supplied special data feeds to companies that allowed law enforcement to track protests in Baltimore and Ferguson, Missouri.

According to the Brennan Center’s research, big spenders include the Florida Department of Law Enforcement, which spent nearly $200,000 over two and a half years; the County of Los Angeles, which also spent close to $200,000 over three years; and Harris County, Texas, which spent over $150,000 in the same number of years. Only a small fraction of the jurisdictions surveyed have publicly-available policies on how to use social media to monitor civilians.

The new revelations are not surprising. In a recent survey conducted by the International Association of Chiefs of Police, over half of the responding law enforcement agencies reported that they used social media for “listening/monitoring,” and three-quarters for “intelligence.” On the federal side, the Department of Homeland Security, which already monitors social media domestically, recently floated a vague and illconceived proposal to request “social media identifiers” from twenty million travelers per year.

.Cops Are Watching Your Facebook Feed | The Nation

There Is No ‘Safe Space’ in Art: What Mike Pence Should Have Learned From ‘Hamilton’ - The Daily Beast













"It is heartening, for those who work in arts and culture, to see their work migrate to the front pages. It’s rare: The world of culture is seen as more rarefied than the 24-hour news cycle. But the stratospheric success of Hamilton means it has often traversed both. It is that rare thing; an intelligent, stirring work of art that has found a populist home on stage on Broadway, feted not just by critics but by the general public who have been to see it. You’ll have seen its songs and stars on TV, if you haven’t seen them on stage. The difficulty of securing a ticket has become a mainstream joke. The weekend bought the show back to the front page. One of the actors, Brandon Victor Dixon, gracefully read out a statement to the Vice President Elect Mike Pence, who was in the audience. It wasn’t rudely phrased. It wasn’t rudely spoken. It wasn’t rude in any way. We know this because it was videotaped. We can see it. If you choose to see it as harassment or rudeness, you are willfully misreading what you are seeing or hearing. Dixon’s speech was a request from the heart, and—this seems to have been somewhat overlooked—a heartfelt plea to Pence to recognize and respect true diversity."

(Via.)  There Is No ‘Safe Space’ in Art: What Mike Pence Should Have Learned From ‘Hamilton’ - The Daily Beast